For Developh, I'm creating a class on the poetic web situated for third world technologists with a focus on atmospherics, ambiences, and artificial lands/bodies/intelligences/territories. It's intended to fundraise for the next issue of KAKAKOMPYUTER MO YAN, and to inspire more creative technologists working around climate, ecologies, and infrastructures.

For KAKAKOMPYUTER MO YAN, I'm creating a very musical performance lecture on pop, tropics, atmospheres, colonialism. There are no scheduled presentations of it yet.

Against the digital garden: the thorniness of ecological metaphors, the double standards of the handmade. What does drawing from the wild really mean on the internet of today?

For Developh, I'm curating an anthology of non-fiction, fiction, and creative works on internet, technologies, and networks as situated in the tropical heat.

When We Love is back in development.

Through Marian apparitions, technologies of containment, maternity, passivity, delusion, and ritual-building are hallucinated. Supernatural, she is only a saint; our virginal software submits to us. Within these infrastructural intimacies, the reward for devotion is delusion. Any sufficiently advanced girl is indistinguishable from a god. This is why they do not let us ascend.

A durational performance interpreting the Catholic rosary into a net art narrative epic, also performed communally over 6–12 hours to shape a new sacred.

Amongst the world's largest BPO industries, nightshift Filipino workers betray tongues. A spectrum of intimacy emerges: innocence, service, alters, sexual liberation, STDs, stigma, and queerness emerge in the backrooms; wires and bedspacers are wet; comfort, care, and salvation emerge as infrastructural intimacies: how do those who carry the internet love one another?

How do those who enable these intimacies love? What security do we find in service? What scarcity emerged from the scaling of sex and softness? How do the dichotomies of Filipino imaginaries work against each other?

Slowly, rotting, conquering: a synchronized, real-time piece on the rise-fall-loop of a generational clan. Machismo, submission, dynasty, and violence unraveled in a domestic narrative from World War II to the speculative centuries forward.

Multi-channel installation, real-time, networked, etc. after the slow cinema film.